On October 3 I’ll be moving to S.Korea to work on my new project “On Distant Objects And Hungry Gods”. My new work will revolve around Korean shamanism (musok) and the female South Korean shamans (mansin, meaning ten thousand spirits, the potential number a good shaman is able to contact) who perform these rituals. Musok is considered an ancient and indigenous practice, dating back a few thousand years. Before Buddha, Confucius, Lao-tzu and Jesus, these women plied their trade in Korea, mediating between humans, objects, and supernatural entities. I see a decisive parallelism between Korean shamanism rituals and new mystical and ethnographical directions in contemporary art, and I believe there’s a synergy between the energy of the mansin and the energy of the universe.
Jorge Mañes was a speaker at TEDxUniviersidadEuropeaMadrid. Do not miss his talk where he speaks about how the Moon has inspired him to create new artworks and to look at the future of our civilisation with a more peaceful and embracing way.
Jorge Mañes Rubio and Amanda Pinatih, co-founders of Design Museum Dharavi, were among the speakers at Art for Tomorrow in Doha, a conference organised by the New York Times. New boundaries, where and why art follows the rules or challenges them, and art’s role in creating and influencing personal, corporate, urban and national identities were explored. In this session, “The Museum and the Disposessed”, Jorge and Amanda explain their work at the front of their museum and its impact on the challenging environment of Dharavi.
Design Museum Dharavi is the first museum of its kind, based in the homegrown neighbourhood of Dharavi, showcasing local talent through a nomadic exhibition space and employing design as a tool to promote social change and innovation on a global scale. The project was awarded the Leading Culture Destinations Awards 2016 in the category of ‘Best New Museum of the Year – Asia Pacific’ and was nominated for the Beazley Designs of the Year by the Design Museum London last year.
”A museum can be defined not only by architectural glamour or by a famous collection,” Mr. Rubio said. “We envision a museum where walls are dissolvable, a museum that will play a way more relevant social role in our cities. That’s the museum of the future.”
Instead of seeing it as just a potential site for groundbreaking scientific discovery, sci-fi tourism or the lucrative exploitation of extraterrestrial natural resources, Rubio chose to look at the Moon as a universal and mythical idea. The Moon, unlike Earth, has no boundaries, no divisions, no nations. Do we have a right to change that? And so he decided the best way to symbolise this dilemma was to build a temple on the Moon. A temple to celebrate the Moon as a powerful symbol of unity for mankind.
We’ve created a very special book that celebrates and documents our exhibitions, events and work so far! The publication includes a manual with the ‘lessons learnt’, a catalogue showing our first collection of chai cups and a series of essays from contributors such as urbz, Nadine Botha, Steven van den Haak and Dewi Pinatih. The book is entirely handmade, designed and printed by The Future Publishing & Printing, comes in a limited edition of a hundred copies and we still have a few copies left!
The Beazley Designs of the Year is the Design Museum’s flagship exhibition and awards which celebrates design that promotes or delivers change, enables access, extends design practice or captures the spirit of the year. We are proud to announce that Design Museum Dharavi has been nominated in the category of Product and that we are part of the Beazley Designs of the Year exhibition in London.
All shortlisted nominees have their work displayed or represented at the Design Museum during the Beazley Designs of the Year exhibition and are in contention for the prestigious Beazley Designs of the Year awards. Beazley Designs of the Year is the opening exhibition for the Design Museum at its new home in Kensington, west London. We hope to see you there!
Jorge Mañes Rubio was a speaker at TEDxMadrid. Whether in a parking lot in a supermarket in London or in abandoned cities in China, Rubio’s work makes us travel and see things that are not what they seem to be. By researching exhaustively and reinterpreting , the artist suggests new values for familiar places. Through memories, pictures and interventions, Rubio re-creates his own story-telling. He mixes fictional elements with reality on purpose, and this unconventional approach becomes the vehicle for sending a social message about art and change.
This talk is in Spanish. For english subtitles click in the video settings.